Dec 15, 2008

Oscar Winning Best Actors of the '60s: 1962


Winner: GREGORY PECK - To Kill a Mockingbird

other nominees:
____________

Burt Lancaster - Birdman of Alcatraz
Jack Lemmon - Days of Wine and Roses
Marcello Mastroianni - Divorce - Italian Style
Peter O'Toole - Lawrence of Arabia

I recall first seeing To Kill a Mockingbird as a Junior High School student. After being assigned and reading the novel for English class, we were treated to a showing of the film (shown in two installments) in the school auditorium. Viewing classic films based on classic novels was a staple at my school and we saw wonderful adaptations many times in those three years. The only handicap in watching the films was my sensitivity to the emotion the films conveyed. Most of these films involved scenes of death, failure, hopelessness and their musical scores were so lush and emotional. I was prone to tear up at times when the weight of the emotion affected me and this would cause embarrassment on my part and teasing on the part of my fellow classmates. In the case of the adaptation of Harper Lee's Pulitzer Prize winning book, I know I was wet-eyed a few times and I wanted to see if watching it again would turn the tap on once more. It did not. But, I did feel the slight melancholy I feel when I watch a film narrated by an adult who is telling the story of an incident in their childhood; for some reason it always affects me. And I did feel the warmth and security that glowed from the screen in the presence of Gregory Peck as Atticus Finch, the father of two children and a respected and wise lawyer in a Southern town.

Peck's presence dominates the film and it is probably his best known role. It, could be, to some, the only movie they think of when they think of the actor. His career was extensive; from his twenties to his old age. Atticus Finch defines Peck like Norman Bates defines Anthony Perkins, Oscar Madison defines Walter Matthau and Rick Blaine defines Bogart. He epitomizes the solid family man, the strong father, the sage who can answer all questions and whose whispers of assurance and love are warmer and more secure than a winter blanket on a cold night. There is one scene in particular when the children spot a rabid mad dog in the street in front of their home and they scream in alarm. The housekeeper spies the incoming trouble and her first thought and ours is to inform Atticus Finch. She does just that and we feel assured that he will solve this problem at once. He does, but he does so with humility and then pure laser-like intent. He is an admirable man on all fronts.

The film recounts the memories of his young daughter Scout and, in particular, the trial of a wrongly accused black man whom Atticus must defend against a charge of attacking a white woman. We know from the glaring hints of over acting from the girl's father that he is responsible for her beating and forcing her to pass blame on the accused. There is no question that Atticus is defending an innocent man in our minds. But, even so, due to Peck's portrayal we know, in our hearts, Atticus would never defend someone he suspected of being guilty unlike the thoughts we have of lawyers in today's world. Atticus is without blemish. He is as glaringly white and clean in his heart as is the suit he constantly wears even to the breakfast table. He is a unbiased man and, as is evident in movies of the 1960s, he is the great white father to the African American community; the protector and savior. This can be seen as a bit prejudicial in an ironic way, but Atticus never seems to be lording over or overbearingly pedantic with the community he protects. His sense of justice is universal to all and will even put himself in danger to defend his beliefs and protection of his charges. This is most evident in a scene where he stands guard outside the jailhouse door where the accused is being held. He sits in a chair on the jailhouse porch reading a book, a symbol of his intelligence and thought, with a rifle leaning against the door. Atticus will protect with his words and composed thoughts of decency than with the force of a gun. This is observed by his children and is a magnificent symbol of humanity for them and for the audience. We would all want a father like Atticus Finch.

Reading some material on the Oscar year of 1962, I learned that Harper Lee thought Peck was so much the embodiment of her real life father, that she gave Peck her father's pocket watch as a gift. He used the watch as a prop as he spoke in the courtroom scenes. He, later, kept it in his hand as he sat at the Academy Award ceremony and had it in his keep to his dying day. He said that the part of Finch was like "putting on an old suit of clothes - just comfortable". Maybe that is why he is so splendid in the role. The definition of the character was easy for him because it was more than just a "role". The role of an everyman, the role wherein an actor almost plays himself can be, I feel the most difficult role to play. In that case, Peck deserved the Academy Award that year.


1 comment:

kazu said...

great post. it's true that atticus finch is peck's ultimate role. that additional info about harper lee was very interesting. i haven't seen TO KILL A MOCKINGBIRD since i was in 9th grade - i need to see it again.